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Девушка с татуировкой дракона / The Girl with the Dragon Tattoo


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Опрос: Девушка с татуировкой дракона / The Girl with the Dragon Tattoo (154 пользователей проголосовали)

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#21 Tatanka

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Опубликовано 08 Декабрь 2011 - 21:22

The Girl With The Tramp Stamp Tattoo

1-900-ROCKSTAR

#22 MemphisRains

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Опубликовано 09 Декабрь 2011 - 01:01


All those moments will be lost in time, like tears in rain


#23 hally5

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Опубликовано 09 Декабрь 2011 - 01:46

The Girl With The Tramp Stamp Tattoo


)))) спасибо, улыбнуло, эх давно Рэя Уайза не видел))
"- I wanna play a game!
- Tell me what you want!
- I wanna know if you have what it takes to survive.
- Oh, shit" - Hoffman and John

#24 faq13

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Опубликовано 09 Декабрь 2011 - 17:18

How To Destroy Angels "Is Your Love Strong Enough" from the Girl with the Dragon Tattoo Soundtrack
"Past is never dead. It's not even past." William Faulkner

#25 ironass

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Опубликовано 09 Декабрь 2011 - 18:51

Первый ролик - говно, ни о чем. Электрички на 1.49 и 3.44 напоминают Подмосковье. Второй тоже бред. Главная героиня - блеклая хиппообразная телка. Короче, нам похоже светит (и пахнет) очередное говно.
Когда же меня опять забанят на КГ?

#26 MemphisRains

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Опубликовано 10 Декабрь 2011 - 00:06

Саундтрек на просторах сети)) Ссыль в старт посте

Изменено: MemphisRains, 10 Декабрь 2011 - 00:19

All those moments will be lost in time, like tears in rain


#27 MemphisRains

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Опубликовано 10 Декабрь 2011 - 01:52

футболка Лисбет

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Статья Миллениума, документы

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Изменено: MemphisRains, 10 Декабрь 2011 - 01:53

All those moments will be lost in time, like tears in rain


#28 MemphisRains

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Опубликовано 10 Декабрь 2011 - 19:04


All those moments will be lost in time, like tears in rain


#29 faq13

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Опубликовано 11 Декабрь 2011 - 10:15

Trent Reznor and Karen O Cover Led Zeppelin's "Immigrant Song". A mysterious, creepy collage created by David Fincher
"Past is never dead. It's not even past." William Faulkner

#30 hally5

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Опубликовано 12 Декабрь 2011 - 02:30

Trent Reznor and Karen O Cover Led Zeppelin's "Immigrant Song". A mysterious, creepy collage created by David Fincher


уже на фейсе линк скинули))
"- I wanna play a game!
- Tell me what you want!
- I wanna know if you have what it takes to survive.
- Oh, shit" - Hoffman and John

#31 MemphisRains

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Опубликовано 12 Декабрь 2011 - 17:01

Сони продвигает киношку на Оскар в следующих номинациях...

Изменено: MemphisRains, 12 Декабрь 2011 - 17:01

All those moments will be lost in time, like tears in rain


#32 SLIFE

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Опубликовано 12 Декабрь 2011 - 17:11

Сони продвигает киношку на Оскар в следующих номинациях...

Т.е. во всех. Странно, если бы было по-другому)))
It's all part of the plan. ©Joker (The Dark Knight)

#33 faq13

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Опубликовано 12 Декабрь 2011 - 17:23

The Girl With The Dragon Tattoo Sequels May Shoot Next Year
"Past is never dead. It's not even past." William Faulkner

#34 MemphisRains

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Опубликовано 12 Декабрь 2011 - 21:38

Рецензия - 4 из 5

На инглише:
[color= #9d6e2c;]Спойлер. Нажмите для прочтения[/color]


Nojas Bladet

Roar Delicious & masterful

Blomkvist (Craig) interviews Henry Vangen (Plummer) in Hedeby.

Vulnerability Salander Rooney Mara shows a fragile side of Lisbeth. Photo: Sony Pictures

The Swedish environments are dark and nasty.



The Girl With the Dragon Tattoo
Director: David Fincher, with Daniel Craig, Rooney Mara, Christopher Plummer, Stellan Skarsgard.
"The Girl With the Dragon Tattoo" is one hell of a journey - crazy, nasty and sexier than the Swedish original
Draw between Naomi Rapace and Rooney Mara as to which of those most and best Lisbeth Salander.

In almost all other areas is David Finchers Stieg Larsson film "The Girl With the Dragon Tattoo" superior to the Swedish film.

One is immediately caught in a vise you can not get out.

The only reason that every now and then still free from the grip, is that as Swedish and (moved) locals sometimes struck by second thoughts. Why has David Fincher filmed on that street? There's the house I lived in for 30 years. Oh, Per Myrberg is also featured in a few seconds. Wow, where did my buddies on SVT's "Rapport" his three seconds in the Hollywood limelight.

With Trent Reznors and Karen O's rock-hard version of the Led Zeppelin classic "Immigrant Song" in the background, putting David Fincher once again the mood of a film with the help of incredibly violent titles. Think James Bond films luxury vignettes, though this macabre, scary, crazy. And considering where the story takes place feels like the song's opening lines of text - a-ah-ahh-ah, ah-ah-ahh-ah, we come from the land of ice and snow, From the midnight sun Where the hot springs blow - as if Jimmy Page / Robert Plant is already 41 years ago wrote them with a Stieg Larsson film version in mind.

65 million books sold
In the review of the Swedish film "Men Who Hate Women" in February 2009, was my thinking a bit about how to behave when you write about movies based on successful suspense novels. Should I pretend that you do not know how it ends? Did then that just Stieg Larsson (1954-2004) book was a good example when it was sold in less than three million copies.

Now the figure is 65 million!

So it is enough perhaps to write to Daniel Craig plays journalist Mikael Blomkvist, that Rooney Mara is a computer hacker Lisbeth Salander and Christopher Plummer is Henrik Vang, the incredibly wealthy industrialist who asks for help to solve the mystery of mysteriously missing family member Harriet.

The few people who do not have any relation to this history, can be prepared for a hell of a movie trip.

For which the Swedish film was good, is the U.S. on the verge of a masterpiece of its genre.

One reason is Steven Zaillians masterful screenplay. Where in the Swedish film already knew that it would make three films about Lisbeth Salander's story and where "Men who hate women" became a kind of siding to it, has this totally focused on Vang-history. As for the latter two books did not exist. The plot becomes more dense, more concentrated.

Considerably larger budget
Another reason is the budget. The entire Swedish 'Millennium' project costing about one hundred million, this has been almost ten times as much money for a movie.

Combining it with David Fincher - one of the best and most iconic directors in the world in the last 15, 16 years - so believe seventeen make it better.

He is a perfectionist and aestheticians deluxe. If it is just a train that runs through the northern ten seconds, so do the train, in a howling blizzard gorgeous shot. If Lisbeth Salander father away on the motorcycle in Stockholm the night, so probably have David Fincher sought out the most cinematic cobbled hill.

The music of the Swedish film I remember barely, although I saw the other day. Trent Reznors and Atticus Ross music is there all the time. They have created a whole forest crazy world of sound that chafe, disturb, annoy and continually drives the story. Greatest threat that they will not win an Oscar, is well that they won last time, the Finchers' The Social Network ".

The pace limps
Many questions require answers:

Why the verge of a masterpiece?

The pace limps a little when the flip rustling with all these old pictures of family Vangen from the 1960s. Nor David Fincher have any manners at the portrait of Michael Blomkvists director Erika Berger (Robin Wright) and her impact on history.

Do I really need a movie to the same story?

They differ more time than expected. Finchers movie is sexier and has more closeness in the relationship between Lisbeth Salander and Mikael Blomkvist. Stellan Skarsgеrd's role as Martin Vangen is both larger and much sharper in outline than Peter Haber. The entire last third of the movie is pretty thoroughly different.

They talk really Swenglish?

The rumor that everyone speaks English with a Swedish accent proved to be exaggerated.

Superior to the Swedish
Naomi Rapace or Rooney, Mara?

Both have similar goth and punk look, but otherwise Rapace Salander more vigorous and tough, while Mara feels younger, more vulnerable, as she forces herself to action. Draw.

On all other points are David Finchers film superior to the Swedish=)
Линия одежды

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Изменено: MemphisRains, 13 Декабрь 2011 - 02:28

All those moments will be lost in time, like tears in rain


#35 hally5

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Опубликовано 13 Декабрь 2011 - 00:09

MemphisRains, ну фсе, теперь и у нас походу весь город скора будет и Лисбет состоять)))
"- I wanna play a game!
- Tell me what you want!
- I wanna know if you have what it takes to survive.
- Oh, shit" - Hoffman and John

#36 MemphisRains

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Опубликовано 13 Декабрь 2011 - 02:29

Лондон

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The List-UK(4/5)

[color= #9d6e2c;]Спойлер. Нажмите для прочтения[/color]

Mara and Fincher elevate a populist novel into a compelling drama of bleakness and corruption

David Fincher directs a version of Stieg Larsson’s Millenium trilogy – revenge thrillers don’t come with more high-powered credentials than that. While Steven Zaillian’s script sticks a little too closely to the labyrinthine plotting of the original novel, Fincher amps up the dark poetry of the visuals to create an ugly, modern fable that’s considerably more potent than the Swedish version.

The story is familiar enough by now; ageing patriarch Henrik Vanger (Christopher Plummer) hires investigative journalist Mikael Blomkvist (Daniel Craig) to look into the coldest possible case; the disappearance of Vanger’s grand-nice, forty years earlier. Blomkvist travels to the Vanger family residence on an isolated island while computer-hacker Lisabeth Salander (Rooney Mara), forms an uneasy alliance with Blomkvist to solve the mystery.

Breaking from the recent success of The Social Network, with The Girl with the Dragon Tattoo Fincher has returned to his favoured métier of the serial killer thriller, as explored in Seven and Zodiac. Larsson’s book gives Fincher plenty to feast on, allowing him to create an oppressive atmosphere of violence and latent menace

Despite raising his game from the somewhat taciturn performances in Dream House and Cowboys and Aliens, Daniel Craig takes second place to Rooney Mara, who’s bitter, striking performance is a long way from her girl-next-door in The Social Network. Exuding a barely suppressed rage in every scene, Mara and Fincher elevate a populist novel into a compelling, if overlong drama of bleakness and corruption.

All those moments will be lost in time, like tears in rain


#37 MemphisRains

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Опубликовано 13 Декабрь 2011 - 20:08

Отзывы на томатах (пока все идет хорошо)

As played by Mara, Lisbeth is the ultimate badass; a formidable force of hyperintellect and raging sexuality.

.. if you love these books, then consider this a Christmas present.

Another piece of brilliant filmmaking by Fincher that along with Se7en and Zodiac form the definitive box set exemplifying the perfect crime investigation trilogy.

A bracing and completely absorbing thriller.

You'll be happier with the film if you don't expect fidelity to source material, but that doesn't mean you'll hate it if you loved Niels Arden Oplev's movie.

Изменено: MemphisRains, 13 Декабрь 2011 - 20:12

All those moments will be lost in time, like tears in rain


#38 Izumrud

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Опубликовано 18 Декабрь 2011 - 03:12

Промо

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Пишу дабы заработать 7 золотых звезд. Вот такой коньяк получается...

 

@Minfin - петух ебаный, весь в отца ©

 

 


#39 MemphisRains

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Опубликовано 18 Декабрь 2011 - 05:59


All those moments will be lost in time, like tears in rain


#40 faq13

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Опубликовано 19 Декабрь 2011 - 09:40

[color= #2f5166;]Опубликованное фотоFive Things You Need to Know Before You See The Girl With the Dragon Tattoo[/color]



1. Leave the Kids at Home: Director David Fincher has spoken of his desire to see an R-rated franchise for adults, and this definitely meets that definition. Like the Swedish film, it features brutal violence and sexual assault, but in addition, an adorable pet comes to great harm. Ironically, this makes a similar point as Steven Spielberg's War Horse—you can kill off any number of bad guys onscreen, but violence somehow seems worse when even one domesticated animal is in danger.

2. Don't Be Late: Get to the theater in plenty of time, or you'll miss Fincher's best opening credits since Se7en. Call it "James Bondage"—nude silhouettes, phoenixes and dragons float through large oozings of sticky, tar-like tattoo ink while Trent Reznor and Karen O's cover of Led Zeppelin's "Immigrant Song" attacks your eardrums.

3. It's a Spoken Smorgasbord: The movie is set in Sweden still, but everybody speaks accented English, save Daniel Craig, who seemingly can't be bothered. This is made doubly confusing when the lead characters actually travel to England, and their speech remains completely the same. The written word is another story: billboards, books and T-shirt logos appear in Swedish most of the time, but if you suddenly see one in English for no apparent reason, rest assured it's a plot point worth paying attention to.

4. There's an Enya Song on the Soundtrack: Seriously, there is. And it totally works. You'll have to trust us on that one.

5. Nonconformity Rules: No, we're not talking about Rooney Mara's tattoos, piercings and otherwise in-your-face appearance. This big-studio feature dares to take a stand even braver than that. Throughout the entire thing, its protagonists smoke and drink constantly...and the movie never punishes or scolds them for it! All this time we thought the Swedes were freedom-hating socialists. We're sorry.



"Past is never dead. It's not even past." William Faulkner


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